What if Gaspar Noé threw a party and everyone lost their minds?

How do you sell the work of a director as divisive, as outright reviled in some camps and corners, as Gaspar Noé? The first poster for Climax, the French provocateur’s latest assault on senses, good taste, and epilepsy, turns bad reputation into a cheeky hook, all but taunting everyone who “hated” his repulsively…

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