The watched becomes the watcher in the brilliantly inverted techno-thriller Cam

If you asked us if it were possible to do a feminist take on a Brian De Palma movie, we’d have been skeptical—until Cam came along, that is. This slick debut from director Daniel Goldhaber and screenwriter Isa Mazzei hinges on a rather brilliant inversion of De Palma’s signature approach and themes: It’s still a…

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