The best movies of Cannes 2018, plus a serious Palme D’Or threat at the end of the festival

Apologies to anyone hoping for a first impression on the closing night film of Cannes, Terry Gilliam’s The Man Who Killed Don Quixote. It’s premiering right now, as I type this, but I’m on a flight to New York instead, ready to return to real life after 11 days in the bubble. I’ve missed or am missing a few other…

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