She’s Gotta Have It’s dialogue suffers from a dated point of view

The limitations of the writing of She’s Gotta Have It really come to the forefront in “#BootyFull (SELF ACCEPTANCE).” For Spike Lee, film, and now television, is as much a writer’s medium as it is a director’s medium. The dialogue feels written. Someone tapped it out into Final Draft and pat themselves on the back.

Leave a Reply

Your email address will not be published. Required fields are marked *