Shailene Woodley and Sam Claflin are dull lovers lost at sea in the otherwise gripping Adrift

Whoever first used the now-familiar shot where a camera is positioned at water level and observes its half-submerged subject as waves lap at the lens should be included in the special thanks of the end credits to Adrift. This true-life survival story wouldn’t be impossible to film without that shot, but director…

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