Movie Review: Fort Tilden is a funny and compassionate skewering of millennial culture

“It’s authentically distressed,” says Allie (Clare McNulty) of the barrel she and her friend Harper (Bridey Elliott) find lying in the sand near the end of Fort Tilden. Like so many lines in Sarah-Violet Bliss and Charles Rogers’ caustic comedy, it’s a sharply double-edged observation. Not only is the chipped wooden container in question more genuinely weathered than the one the women had already purchased as a conversation piece before beginning their trip to the beach, but Allie’s observation also stands as a piece of inadvertently pointed self-analysis.

Harper and Allie are indeed damsels in distress, and not just because they can’t efficiently navigate the way from a Brooklyn loft to the Rockaways (a disastrous, distended day trip to hook up with some boys, which makes up the film’s entire plot). They’ve been shaped by a parentally subsidized lifestyle that permits neo-bohemian arrogance without …

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