Jeff Goldblum darkly tweaks his eccentric charm as a door-to-door lobotomist in The Mountain

The vision of 1950s America presented by The Mountain, Rick Alverson’s strikingly glum midcentury drama, bears little resemblance to the one that’s come to dominate the pop-culture imagination. There are no white-picket fences, no ostentatious displays of economic prosperity, no hallmarks of Space Age newness—none of…

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